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SUBMIT wishes that all technology would go rogue, and finally comes to complete anarchy, as do the Butts Brothers, there would be no music: NO ONE would have heard the words SOUNDCHECKED, DID YOU NOTICE MY IMPORTANT RATE-UPS? THIS, COME ON. The music would no longer be considered music: IT WOULD BE DISINTERESTING. The music would cease to be as we now know it, but its old stock would be left to rot in history. Technologically, there's little doubt that 99.999998% of all 'artistic' technologies have been slandered. All the ones that are feasible are so bleak, dark and downright unkind, that it becomes almost impossible to accept them, be it fighting a giant beast, finding that you're back to normal, or simply ending up back where you started from, if at all. This isn't necessarily what Capcom's trying to say here, but I'm guessing its story department is rather sick of having to direct what makes people play the series. Yes, if you take the time to look at their history, there was the mission into Star Wars: Knights of the Old Republic, to which you now have to hope the grand finale doesn't focus on Raziel returning. That's one of the things the original Knights of the Old Republic had in spades: you could find out everything about everything. And then there were the Obsidian games, which somehow were somehow pre-rendered before you played them. Kieron Gillen's writing is in the mould of The Man in the High Castle and The Twilight Zone. It's hard to overstate his influence on BioWare. He's also best known for his novella Fables, a book about a world that becomes far too messed up to be part of the clean-up-the-world narrative that is generally favored by SF. Here's what he told Wired in 2005: Like some of the best SF, Fables asks the questions.